While the first part was trying to resolve the conflict between door knob protector the

Former government agent Frank Moses (Willis) lives in a peaceful and stereotypical relationship with the vivacious Sarah (Parker). He is enjoying life in civilian clothes, she is bored as hell. The scale is Frank pulls paranoid friend Marvin (Malkovich) and its other crust from the past - someone trying to get a revolutionary weapon, whose inventor Frank ago failed to protect. And, of course, wants and disposal Frank and his loved ones. In the comedy, full of sadistic agents, top killers and mad scientists returns door knob protector most known from the first game - except sedentary Frank, his girlfriend Sarah and deranged Marvin to join the team again and booked an assassin Victoria (Mirren) and jovial Russian agent Ivan (Cox ). Back a scriptwriting duo, who committed the first episode. He managed to build on, action and humor of one?
Almost. If the first part came enough action and funny, you two probably not disappoint. Although it is complicated and what do different themes and characters nahuštěnější, so that keeping door knob protector track of the motivations of the characters and multiple dirty trick is nearly door knob protector impossible. Their plans to the U.S. government, Korean assassin (Lee), door knob protector a mad scientist (Hopkins) and Russian femme fatale (Jones). Make no sense, but given that only serves as a framing for a series of gags and action scenes on film does not detract from the experience. The style of humor, door knob protector his ability level and his perfectly timed and articulate with excellent and blown events remained. Like energized the action is filmed in the style of the nineties, uses shootouts and explosions that do not look opulent, not climax of the film, but only fit into his style tempo.
As in number one is simple humor, door knob protector gags primitive and furious grimacing actors. It is the humor, which is aimed at the widest possible range of audiences, which usually means that it is at best average. So the total harm that he retreats most of the action scenes. And that largely depends on the actor's door knob protector submission, they watch several door knob protector times Malkovichův deranged expression, Cox mating call with Mirren and scary facial movements Mary-Louise Parker is indeed fun, but not two hours at a time. The Parker is all the worse because her character is annoying bossy hysteric, which is also (as in the first one) the centerpiece of all events.
While the first part was trying to resolve the conflict between door knob protector the "old school" and modern thriller and thematised crisis of old age, second focuses on relational crisis. This time Frank is not primarily the task of coming to terms with its past and somehow you confirm "that it always has." Now it is facing the task much more difficult - to meet the emotional needs of Sarah, who are craving supply of adrenaline and overall proper action. And while energized was important as a character, you need to protect door knob protector yourself in a situation in which she got Frank, the twins had everything and everyone must obey, because it just like she wants. It happens causal agent of action (partly it was she who persuades Frank to action, occurs again at the beginning of the need to protect her as Frank's weak point), door knob protector i figure that affects door knob protector their progress. Force can participate in the action, yet it complicates their incompetence. Unlike Frank, which comes out that should be paid partnerčiným needs Sarah not nedospívá. If you can further indulge in gun battles, explosions and chases, they can tell the other characters that have one concern is less selfish brat. Not with Frank because of feeling stays with him for the same reason, it remains a spectator door knob protector in this film - while providing enough door knob protector humor and action, is important to him to remain.
Directed by Dean Parisot Cast: Bruce Willis, John Malkovich, Anthony Hopkins, Helen Mirren, Mary-Louise Parker, Catherine Zeta-Jones, Byeong-Heon Lee, Titus Welliver, David Thewlis, Neal McDonough, Tim Pigott-Smith, Brian Cox, Philip Arditti, Vlasta Vrana, Steven Berkoff USA, 2013, 116 min
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