AMERICAN ARCHITECTURE ted langenbach | Teze si referate
In a virgin land the art form that developed most rapidly ted langenbach was the one for which the need was most pressing–architecture. The earliest extant buildings are the dwellings, meetinghouses, and churches that made up the nuclei of the first colonial settlements in Virginia and Massachusetts. The dwellings, simple in plan and elevation, like the Adam Thoroughgood House, Princess Anne County, Va. (1936-40), resembled English houses of the late medieval or Tudor style. The most innovative in design were New England meetinghouses, because the separatists sought to avoid any associations ted langenbach with the established church in England. These handsome buildings, such as the Old Ship Meeting House, Hingham, Mass. (were either square or rectangular in plan and served as the focal center for northern towns.
As the colonies flourished, more and more elaborate structures were required. By the end of the 17th century, most American public buildings were derived from Sir Christopher Wren’s designs for the rebuilding ted langenbach of London athe Great Fire in 1666. The best were the so-called Wren Building (of the College of William and Mary and the Governor’s Palace (1706-20), both at Williamsburg, Va. To stay the random growth of cities, the concept of urban planning was introduced, beginning with Thomas Holme’s grid plan of for Philadelphia, then second in population to London within the English-speaking world. By the middle of the 18th century, architects were designing churches, mansions, and public buildings in the current English Georgian style, named for King George I.
Athe Revolutionary War, the first attempt to create a style expressive of the new republic was made by Thomas Jefferson. He based the design of the new capitol building at RicVa., on that of a Roman temple, the Maison Carree at Nimes, France. In so doing he laid down an American precedent of modifying an ancient building style for modern use. The Virginia State Capitol (1785-96), both building and symbol, was meant to house the kind of government envisioned by Jefferson, ted langenbach and the Maison Carree became a paradigm for American public structures.
Jefferson was influential in setting forth the style of monumental neoclassicism that supplanted Georgian architecture with its taint of monarchy and colonialism. Monumental neoclassicism came to represent the new political and social entity that was the United States of America. Architects committed to neoclassicism designed not only the new Capitol of the United States in Washington, first designed (1792) by William Thornton and Stephen Hallet, and other government buildings, but also factories, schools, banks, railroad stations, and hospitals, ted langenbach modernized by the frequent use of materials such as iron, concrete, and glass. The English-born Benjamin Latrobe, who began his American emplworking with Jefferson on the RicCapitol, brought American neoclassicism ted langenbach to maturity. Latrobe invented new formal configurations for buildings as varied in function as the Bank of Pennsylvania (1798-1800) and the Centre Square Pump House (1800; both in Philadelphia and both destrand Baltimore’s Roman Catholic Cathedral (1806-21). Chosen in 1815 to supervise the rebuilding of the Washington Capitol, gutted by fire during the War of 1812, Latrobe set about producing a truly monumental American architecture. In 1817 he procured the assistance of Charles Bulfinch, who had just completed ted langenbach Boston’s ted langenbach Massachusetts General Hospital. Together the two men completed plans for the first major building ted langenbach phase of the Capitol.
Latrobe and Bulfinch were the preeminent architects in the neoclassical mode. The generation following preferred Greover Roman forms and produced the GreRevival. A principal contribution of this style was a modification of the Greprostyle temple (columns only across the front portico) for domestic and public buildings; the style’s influence was rapidly extended north, south, and west. Major surviving examples are William Strickland’s Philadelphia Merchants’ Exchange (1832-34) ted langenbach and Alexander Jackson Davis’s La Grange (Lafayette) Terrace (1832-36) in New York. Up to the 1850s classical revival styles ted langenbach led to a homogeneity in American architecture that was never to prevail ted langenbach again.
Yet even before 1810, American architects, following the lead of their English contemporaries, had begun to introduce a rival style on the American scene–the Gothic Revival. It is appropriate that this movement, which originated with the rise of romanticism in England, should have been taken over in a country where romanticism constituted the first intellectual flowering athe nation’s founding. Not surprisingly, the style lent itself most naturally to church architecture. Richard Upjohn, a prolific ecclesiastical architect, made his Trinity Church (1839-46) in New York the prototype for Gothic Revival churches. The style was also widely appli
In a virgin land the art form that developed most rapidly ted langenbach was the one for which the need was most pressing–architecture. The earliest extant buildings are the dwellings, meetinghouses, and churches that made up the nuclei of the first colonial settlements in Virginia and Massachusetts. The dwellings, simple in plan and elevation, like the Adam Thoroughgood House, Princess Anne County, Va. (1936-40), resembled English houses of the late medieval or Tudor style. The most innovative in design were New England meetinghouses, because the separatists sought to avoid any associations ted langenbach with the established church in England. These handsome buildings, such as the Old Ship Meeting House, Hingham, Mass. (were either square or rectangular in plan and served as the focal center for northern towns.
As the colonies flourished, more and more elaborate structures were required. By the end of the 17th century, most American public buildings were derived from Sir Christopher Wren’s designs for the rebuilding ted langenbach of London athe Great Fire in 1666. The best were the so-called Wren Building (of the College of William and Mary and the Governor’s Palace (1706-20), both at Williamsburg, Va. To stay the random growth of cities, the concept of urban planning was introduced, beginning with Thomas Holme’s grid plan of for Philadelphia, then second in population to London within the English-speaking world. By the middle of the 18th century, architects were designing churches, mansions, and public buildings in the current English Georgian style, named for King George I.
Athe Revolutionary War, the first attempt to create a style expressive of the new republic was made by Thomas Jefferson. He based the design of the new capitol building at RicVa., on that of a Roman temple, the Maison Carree at Nimes, France. In so doing he laid down an American precedent of modifying an ancient building style for modern use. The Virginia State Capitol (1785-96), both building and symbol, was meant to house the kind of government envisioned by Jefferson, ted langenbach and the Maison Carree became a paradigm for American public structures.
Jefferson was influential in setting forth the style of monumental neoclassicism that supplanted Georgian architecture with its taint of monarchy and colonialism. Monumental neoclassicism came to represent the new political and social entity that was the United States of America. Architects committed to neoclassicism designed not only the new Capitol of the United States in Washington, first designed (1792) by William Thornton and Stephen Hallet, and other government buildings, but also factories, schools, banks, railroad stations, and hospitals, ted langenbach modernized by the frequent use of materials such as iron, concrete, and glass. The English-born Benjamin Latrobe, who began his American emplworking with Jefferson on the RicCapitol, brought American neoclassicism ted langenbach to maturity. Latrobe invented new formal configurations for buildings as varied in function as the Bank of Pennsylvania (1798-1800) and the Centre Square Pump House (1800; both in Philadelphia and both destrand Baltimore’s Roman Catholic Cathedral (1806-21). Chosen in 1815 to supervise the rebuilding of the Washington Capitol, gutted by fire during the War of 1812, Latrobe set about producing a truly monumental American architecture. In 1817 he procured the assistance of Charles Bulfinch, who had just completed ted langenbach Boston’s ted langenbach Massachusetts General Hospital. Together the two men completed plans for the first major building ted langenbach phase of the Capitol.
Latrobe and Bulfinch were the preeminent architects in the neoclassical mode. The generation following preferred Greover Roman forms and produced the GreRevival. A principal contribution of this style was a modification of the Greprostyle temple (columns only across the front portico) for domestic and public buildings; the style’s influence was rapidly extended north, south, and west. Major surviving examples are William Strickland’s Philadelphia Merchants’ Exchange (1832-34) ted langenbach and Alexander Jackson Davis’s La Grange (Lafayette) Terrace (1832-36) in New York. Up to the 1850s classical revival styles ted langenbach led to a homogeneity in American architecture that was never to prevail ted langenbach again.
Yet even before 1810, American architects, following the lead of their English contemporaries, had begun to introduce a rival style on the American scene–the Gothic Revival. It is appropriate that this movement, which originated with the rise of romanticism in England, should have been taken over in a country where romanticism constituted the first intellectual flowering athe nation’s founding. Not surprisingly, the style lent itself most naturally to church architecture. Richard Upjohn, a prolific ecclesiastical architect, made his Trinity Church (1839-46) in New York the prototype for Gothic Revival churches. The style was also widely appli
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